Welcome to Inkygirl: Reading, Writing and Illustrating Children's Books (archive list here) which includes my Creating Picture Books series, Writer's and Illustrator's Guide To Twitter, interviews, #BookADay, writing/publishing industry surveys, and 250, 500, 1000 Words/Day Writing Challenge. Also see my Inkygirl archives, and comics for writers (including Keiko and Will Write For Chocolate).
I tweet about the craft and business of writing and illustrating at @inkyelbows. If you're interested in my art or other projects, please do visit DebbieOhi.com. Thanks for visiting! -- Debbie Ridpath Ohi
Ok, I gave up on the idea of staying offline in the mornings.
Reason: Because of my Market Watch column for Writersmarket.com, I need to surf the Web for publishing industry info each morning. I tried to make notes of stuff that would be good tweet and blog post material later in the day, but found that the info always seemed stale later on, plus distracted me from whatever else I was working on.
For me, it makes sense to do the info sharing while I'm online doing the research; I'm just being more careful about how long I spend doing this. Right now, I'm keeping a detailed time log about how I spend my time each day. I don't plan to do this indefinitely, but it's certainly helping me see where and how I spend my time.
My new plan: To stay completely offline from noon until 3 pm. Thanks to those of you who suggested Freedom, a Mac productivity app that cuts you off from the Internet for scheduled amount of time. The only way to re-enable Internet access is to force-quit the app or reboot. How are the rest of you doing with your productivity goals?
Getting Sucked Into The Time Sink of the Internet...and What I'm Going To Do About It (What About YOU?)
To the left: my comic for Writer Unboxed this past weekend. You can see a bigger version by clicking on the comic and going to Writer Unboxed (a GREAT site for writers, by the way, if you haven't already visited).
I have found this pattern to be increasingly the norm for me up to now.
There are just so MANY great blogs to read, e-mail messages to catch up on, posts to write, collab blogs to participate in, comics to draw, writer & illustrator communities to check out, author and illustrators pals to help promote, etc.
While all of these activities are fun AND related to my various work projects and career goals, I realize that I still need to find the right balance between online networking/collab and working on my own projects. My "to do" list is always waaaaaaaaaay long, and my own creative work has been coming last.
Talking to author/poet/publisher Lawrence Schimel in NYC last week has really inspired me.
I WANT TO PUBLISH MORE BOOKS.
I have so many book ideas and also so many only partly-finished or partly-outlined projects: some writing (fiction & nonfiction) and some writing & illustrating (picture books, illustrated middle grade novels). I need to get more of these finished and OUT there.
Yes, I have a brilliant agent (Ginger Knowlton at Curtis Brown) but she needs finished projects or project proposals in hand before she can send them out.
I WANT TO IMPROVE MY CRAFT.
Related to publishing more books: I want to work on improving my craft in both writing and illustrating, and that takes time. I don't want to just publish books. I want to keep getting better at what I do, to always be pushing myself to learn more, try new things, and most of all -- to practice practice PRACTICE.
I WANT TO *READ* MORE BOOKS.
I started doing an office purge this past weekend, culling my print book collection and setting aside nearly 200 books to give to non-profits. Many were books that I had always meant to read but have to face the fact that I would never read (books that caught my eye at used bookstores, for example). Some were books I read and enjoyed but will likely never read again. I plan to replace my favourites with e-books, which take up less space, making it more feasible for me to buy new print books. :-)
But as I did my purge, I began to realize that I don't read nearly as many books as I did years ago. What gives? The answer: I'm spending much more time online than I did years ago.
What I'm Going To Do About It:
Ideally, I'd like to say I'm going to stay offline in the mornings until I get some creative work done. I have a daily publishing industry news column for Writersmarket.com to research and write each weekday morning, however, and that inevitably gets me on a slippery slope as I come across all kinds of interesting links and info and blogs as I comb the Web for publishing news.
I'm also aware that going cold turkey will likely end in me falling off the wagon, given that I've gotten used to being constantly online and connected for many years.
So here's my plan, posted here in public to help keep me accountable:
- When I work on my Writersmarket.com, I'm going to stay focused on the task and not let myself get tempted into wandering off the path. If I think of something important I need to do online that's not related to my column, I'll keep a list (I'm big on lists).
- I'll let myself check e-mail ONCE mid-morning (I usually get up around 6:30 or 7 a.m., so that would be about 9:30 or 10) to see if there's any URGENT e-mail. I will resist answering other e-mail or checking e-mail again until noon.
What about YOU?
At this point, some of you out there are rolling your eyes and thinking, "Geez, that doesn't sound like much." And while this may not be for you, it's a big step for me. I'm going to revisit my goals and progress and post here again in a month, to let you all know how I did. And if any of YOU want to post your own related goals in the comments section, feel free! Then you can update us all on your progress in a month when I do.
Some of you may also be thinking, "See? THIS is why I stay off all social media." Let me be clear: I am NOT giving up on social media! In my experience, the benefits of using social media far outweigh the negatives. I just need to be more disciplined in when and how I use it.
Any thoughts? Comments? Anyone else want to post their monthly Internet Anti-Distraction Goals?
(Above: I just got my very first NY Public Library card, yay!)
Apologies for the lack of posts recently. I'm in NYC at the moment, and don't have reliable Internet access where I'm staying.
Visited Surtex and the National Stationery Show (I have a weakness for paper and office supplies) and am meeting this afternoon with Justin Chanda and Laurent Linn at Simon & Schuster to go over the first set of layouts for I'M BORED, a new picture book written by actor/comedian/writer Michael Ian Black and illustrated by yours truly.
Above: Neil Gaiman and his kitty, Oz.
Ok, so this blog has zero practical info, but how can you resist photos of writers and their feline friends? Check out Writers and Kitties.
Jo Karaplis lives and breathes books. During the day, she works for a children’s publishing house in Toronto. In the evenings, she’s usually either reading a book or working on her own. Jo's also a member of the Toronto Middle Grade/YA Writer Group (Torkidlit), which is how I met her.
Jo's website: http://www.joannakaraplis.com/
Love the way you told each of the three fairy tales in a slightly different style. What made you decide to use this format? How did you choose which style would be best suited to each fairy tale?
Honestly, it wasn't something I planned out in great detail beforehand. "Snow White and the Seven Dorks" was the story that came to me first. I could picture Yuki perfectly, and I knew she'd want to talk directly to the reader, so I let her be the narrator. The scene at the school dance was the most captivating for me, so I wanted to have it at the beginning of the book, but I didn't want to bog it down with back story, so I decided to switch back and forth between the action at the dance and how Yuki ended up there.
When brainstorming about different fairy tales, Cinderella struck me as a tale that would have turned out much differently with cell phones or the internet, which gave me the idea to tell it entirely through texting and blogging. It was really fun to write, but I did worry that readers would find it unsophisticated. (Thankfully, most people who reviewed the book have really liked that story!)
I originally tried to tell the final story, a retelling of The Little Mermaid, in the third person just for variety, but it was such a personal story that I switched back to first person, which I think worked much better. Because of the ending (which I won't spoil!), it was necessary to do that one in straight chronological order.
What are some of your other favourite fairy tale retellings?
I actually haven't read too many retellings, although I've got some on my to-read list now. And I loved the movie Tangled!
Twisting and retelling fairy tales is an old tradition. I remember seeing fractured fairytale cartoons on Rocky & Bullwinkle reruns as a kid. When I was in high school, fractured fairy tales popped up a few times: my younger sister brought home a picture book called The True Story of the Three Little Pigs (Jon Scieszka), the Politically Correct Bedtime Stories series by James Finn Garner came out, and I read a few fable retellings in Margaret Atwood's Good Bones. I was inspired to do my own versions, and ended up writing a play in which a few famous fairytale princesses went on a talk show to discuss what happened after "happily ever after" (hint: they had some grievances to air!).
What was your writing process for this book? (outline first or plunge right in? how much prep? etc.)
I always plunge right in, then end up stuck, then procrastinate for a while, then do a lot of revising and outlining, then finish writing. I usually end up with notes in the manuscript like "fight scene here" so that I can come back and write that bit when I have a better idea of how it's going to unfold. I always re-read what I've written before continuing to write, so either that's a part of my process or I need to learn to turn off my editor-self when I'm writing!
Cyberella took the least revising out of all the stories: there's something about text messaging and chatting that just lends itself to speedy writing. It was fun playing the part of both Cindy and her friend Matt, and jumping rapid-fire back and forth between the two of them. It was also very quick to read back the conversation, so I could see right away if something just sounded wrong. The only hard part of writing a short story entirely in texts and blog posts was trying to describe action in enough detail that readers could picture it.
How long did the entire process take, from when you started working on it until the book made it into print?
I'd say about two years. I started writing it in April 2008, submitted the final draft two years later in April 2010, and it came out in November 2010. But part of the delay was that it was first under contract with a different publisher (same editor). I think under normal circumstances it probably would've taken about a year from first draft to publication.
How much does your experience working in the publishing industry as an editor influence you as a writer?
It doesn't affect me as a writer (that is, it hasn't made me change my writing style), but I think it makes me more realistic about being an author. I don't expect to make a living off my books (not yet, anyway!), and I know that I need to do a lot of promotion on my own (not that the publisher doesn't help, of course!). Also, I don't take rejection personally, because I understand that this is a tough industry and publishers can only take on books that they really believe in and know they can sell--and there are tons of reasons that a book can be rejected that have very little to do with the author (for example: a similar book just came out or is in the works; it's a sci-fi manuscript but the publisher only publishes poetry; the publisher's list is already booked full for a year and they don't want to hold onto something they can't publish in a timely manner, etc.).
Also, having worked with authors professionally, I know what makes someone a "dream author" and I try to keep that in mind when working with my editor!
However, I believe that the author can be more effective than the publisher at personal promotion such as writing blog posts about the book, setting up and monitoring a Facebook fan page and Twitter account, giving interviews on blogs and websites, etc. Readers are much more excited about talking to or hearing from the author than the publisher, so authors should take advantage of being a literary rock star!
Also, there are some marketing and promotion techniques that aren't effective for all books, and should ideally be jointly considered by the author and publisher; some examples would be book trailers, launch parties, and giveaways. Overall, though, I'd say that the success of a book's marketing efforts hinges on communication: the author needs to tell the publisher what efforts they're making, so that the publisher can help support and publicize those efforts, and the publisher also needs to tell the author what they've planned for the book, so that the author knows which areas are covered.
I'm the kind of writer who loses steam if I talk about things I'm working on, so all I'll say is that I've got at least three more projects in the works, and leave it at that.
Where to find out more about Jo Karaplis:
Her website: http://www.joannakaraplis.com/
On Twitter: http://www.twitter.com/jokaraplis
Cheering For Books at the Festival Of Trees / Forest Of Reading (Ontario Library Association project)
Thanks to author Lois Peterson for inviting me as a guest to the Festival Of Trees event today. I had a ton of fun wandering around the event, seeing authors give workshops and talks, attending some of the awards ceremonies, chatting with other attendees.
And WOW, I've never seen kids SO EXCITED ABOUT BOOKS. Seriously. The audience reaction reminded of a rock concert crowd...except these kids were cheering and screaming about BOOKS. How cool is that? So inspiring and exciting.
Also great to finally meet Arthur Slade, Monica Kulling, Christie Harkin and Sharon Jennings in person after exchanging tweets/posts with them online, meeting Jill Maclean, and Sylvia Olsen. Talked iPads with Eric Walters, who is taking his iPad with him when he climbs Mt. Kilimanjaro this summer (!).
For those who aren't familiar with the Forest Of Reading project, it's a program where students read a selection of books nominated by professionals from schools and public libraries across Ontario, and then vote for their favorite. Unlike most literary awards, these awards are chosen by young readers.
Congrats to all the Forest Of Reading nominees and winners!
You can find out more about this Ontario Library Association project at www.accessola.com/reading.
Thanks to school librarian Lynda Shoup for the Stylish Blogger Award:
Heh. The award immediately inspired the cartoon above.
Apparently I'm supposed to tell you all 7-10 things about myself and then pass the award along to someone else. So here are some things about me that you may or may not know:
1. I work in a basement office which both Jeff and I nickname The Cave. There are small windows near the ceiling but I cover them up with scarves for privacy. I painted a tree on the wall. There are floating piles of books in its branches.
2. My music group recently put out a Mockumentary DVD which has some of our concert song performances on it! In one, Jean-Luc Picard dances with me. Here's the trailer I made on YouTube about it. You can buy a copy for $20 (plus shipping/handling) in our Urban Tapestry shop. And yes, I'm shameless!
3. I sold a website.
4. I was a clown in the Toronto Santa Claus Parade. Here's proof.
5. I have a weakness for miniature food.
6. A lot of people think I'm an extrovert, but I'm actually an introvert at heart. While I love hanging out with and meeting creative people, I need solitude to recharge.
7. I'm a board gamer. Jeff and I recently came home from a 10-day board gaming event (Alan Moon's Gathering of Friends) and those 10 days went by SO fast. I post board gaming comics and news on BoardGameBook.com as I work on a book which I am hoping will get more people into the hobby. Also see my profile on BoardGameGeek.com. Alan Moon just released a fabulous new game called Airlines Europe, by the way: a fun family strategy game!
8. I'm illustrating my first picture book! It's called I'M BORED and is written by actor/comedian/writer Michael Ian Black. Simon & Schuster is publishing it in 2012.
9. I have a meeting at Simon & Schuster in NYC next week, woohoo! We're going to be doing the first pass at the final layout of I'M BORED. Very excited.
10. I'm attending the SCBWI Summer Conference in LA this August (booking my flights today!).
And now I'm bestowing the Stylish Blogger Award onto my writer chef pal:
for her blog, MY LIPS ARE RED
As you can see from the photo to the right, Amanda is a MUCH more Stylish Blogger than I am. :-)
Above: A fun song from Debs & Errol (a.k.a. Deborah Linden & Errol Elumir). Errol & Deborah are looking for new song ideas, by the way. If you'd like them to come up with some more writing-related songs, do go over to their CD Song Contest page and post your song ideas! You may win a free CD.
Toronto author Hélène Boudreau writes fiction and nonfiction for children and young adults. I first met Hélène at a Torkidlit group tweetup and have continued to be impressed by her never-ending positive creative energy, ability to juggle multiple projects AND her online promotion skills.
Last year you went on a book tour. How did that go?
The book tour was great! I spent a week in New Brunswick, touring schools, as part of the Hackmatack Children's Choice Book Award program. Atlantic Canadian students from grades 4-6 spend the school year reading from a selection of nominated books and then vote for their favourites. My middle grade book, ACADIAN STAR, was nominated in 2010 and I was invited to visit a total of five libraries where I met hundreds of kids who'd taken part in the program.
What was your favourite part of the book tour?
My favourite part of the tour was meeting all the students. These kids were reading superstars! Some of them had read up to 13 books for the program and had so many great questions during my presentations. It was easy to tell that they came well prepared! The final day of the tour was the awards ceremony. Six hundred kids packed the auditorium with signs, banners and costumes, representing their favourite books. It was pretty inspiring to hear an auditorium filled with kids, cheering and going crazy for BOOKS! That's pretty much any children's author's dream.
During your tour, did you get any writing done?
I had one or two presentations each day plus travelling but I had a bit of down time during the tour to get some work done. I worked on a picture book revision and made a bit of progress on a young adult novel I've been working on. Most of my stay was in Fredericton, which is beautiful, so I took advantage of the pretty scenery and spent a lot of time walking along the St. John River. It was actually very restful (no laundry, no dishes, no cooking) and a nice change from my usual mom/writing/work mode.
How did you get your book tour? Did you plan it or did someone else arrange it?
The tour was all arranged for me by Hackmatack and the New Brunswick Public Library system. They arranged everything from my air travel and accommodations, booking the sessions and shuttling me from place to place. They were wonderful hosts!
So you're working on a picture and a YA novel at the same time? How to manage your work time?
I usually work on several projects at once and try to manage my writing time in the same way as I approached projects when I worked in a more traditional office job. I prioritize projects depending on their deadlines or scope and keep an ongoing to-do list to help stay on track. It can be a bit of a juggling act but it definitely keeps things interesting!
Do you find any challenges in writing for multiple genres?
I think being a writer is a lot like being an actor in many ways. Whether I’m writing a picture book or a young adult novel, I need to understand my character’s motivations, wants and needs before I can step into that role. The difference is that I need to tell those stories from different perspectives, depending on the age and maturity of my character. So, yes, working in multiple genres has its challenges, but that's also part of the fun.
What advice do you have for authors considering doing a book tour?
Pack lightly! Try to choose clothes and footwear you can wear multiple times or hand-wash easily. Non-wrinkle clothing and neutrals work especially well. You may have some downtime, so be sure to pack good walking shoes and outdoor clothing you can layer so you'll be ready to explore your destination city, whatever the weather.
Be flexible! Other opportunities like extra appearances, media interviews or dinners may crop up while you're on tour. It's okay to decline if you're strapped for time but be open to new possibilities.
Be adaptable! Travel arrangements don't always pan out (I was bumped on both my outbound and inbound flights) so have a book or your laptop ready to fit in a bit of work.
Have fun! The best part of book tours is meeting readers so make a special effort to meet and talk to as many readers as possible.
Any advice for hopeful children's writers?
That's a toughie, because I'm trying to think of words of wisdom that may have helped me just a few short years ago. It's so hard to stay on course when you have no idea if your efforts will ever amount to anything but you just never know when your time will come. Mainly, I'd encourage hopeful children's writers to write with confidence, even if you don't feel it. To leave it all on the page and not spare a drop. So much of this business is out of our control, but what we can control is the effort and mindset we put forth. So, I'd say; set clear, definable goals and walk confidently toward them.
Or, fake it 'til you make it. ;-)
When it comes to effective use of the Internet for author/book promotion, you're one of the best. How do you manage your time re: promotion vs writing?
Gosh, I don't know that I'm that effective but I do know that I enjoy social media and love connecting with people that way. Managing my time can be tough especially around book launches or when I'm travelling to conferences and such but I try not to procrastinate on the writing side of things so that I don't get buried by deadlines. That way, if unexpected things come up like trips, (chicken pox), or new projects I've got a bit of wiggle room. As far as fitting in time for social media, that's a must for me. I can't be creative 100% of the time and the internet is a good outlet for interaction and idea-sharing.
What are you working on now?
I'm getting ready for the release of the second book in my RED DUNE ADVENTURES junior chapter book series (WATER HAZARD, Nimbus Publishing, spring 2011) and writing the SEA-quel to REAL MERMAIDS DON'T WEAR TOE RINGS (Sourcebooks/Jabberwocky, Dec 2010). The new one is called REAL MERMAIDS SHOULDN'T HOLD THEIR BREATH and it will be out in spring 2012. I also just finished revisions on my picture book which will be out in 2013. The illustrator has started sketching so I'm excited to see what the artwork will look like.
Sneak peek trailer for REAL MERMAIDS SHOULDN'T HOLD THEIR BREATH (official trailer coming out later):
For more info about Hélène and her projects, see:
Her website: http://www.heleneboudreau.com/
On Twitter: @HeleneBoudreau
WATER HAZARD, Nimbus Publishing, 2011
REAL MERMAIDS DON'T WEAR TOE RINGS, Jabberwocky, 2010
KEEP OUT!, Nimbus Publishing, 2010
ACADIAN STAR, Nimbus Publishing, 2008
REAL MERMAIDS SHOULDN'T HOLD THEIR BREATH, Jabberwocky, 2012
REAL MERMAIDS BOOK 3, Jabberwocky, 2012
I DARE YOU NOT TO YAWN, Candlewick, 2013
EVANGELINE FOR YOUNG READERS, TBD
and non-fiction too:
LIVING IN A RESIDENTIAL CITY, Crabtree Publishing
LIVING IN A FISHING COMMUNITY, Crabtree Publishing
SPORT SCIENCE: SWIMMING, Crabtree Publishing
MIRACULOUS MEDICINE, Crabtree Publishing
CRIMEBUSTING & DETECTION, Crabtree Publishing
I had a lot of fun at last night's tweetup of the Toronto Area Middle Grade & Young Adult Author Group. We've moved to a new location: The Bedford Academy near Avenue Road and Bloor. The place has a laid-back pub atmosphere; I recognized it from when I attended the National Cartoonists' Christmas party (Canadian chapter) a couple of years ago.
Claudia Osmond, Nelsa Roberto, and I treated Maureen McGowan to dinner in celebration for her birthday before the official tweetup started. I think I might make a habit of showing up early for the tweetups to have dinner with other earlybirds; I find it gets a bit noisy later (I sometimes found it a challenge hearingthe person across the table).
Anyway, here's a list of the people at last night's gathering:
Humberta Araujo - Humberta's first tweetup! Great to meet her.
To find out more about upcoming author events and more about each author, see our Facebook page:
If you're a middle grade or young adult writer in the Toronto area who are interested in attending our monthly get-togethers, join our Facebook group:
At first I was torn between participating in Story A Day May and NaPiBoWriWee, but then I realized that I can do both. I'm using these two challenges to come up a month's worth of picture book story ideas. I'm aiming for an average on one picture book story a day.
These stories will obviously be VERY rough and will be far from polished, but each will have a beginning, a middle and an end. In terms of the Story A Day challenge, my stories are going to be super short .
I figured I wouldn't have time to enter StoryADayMay until Julie said that the stories could even be Twitter-length. Geez, I thought. I could do do that! In fact, I was pretty confident I could do longer stories that would be a bare bones outline that I could choose to polish later.
When the challenge is over, I'm going to cull the list to my the top favourites and will start polishing each: fine-tuning the story, paging them out into picture book format, starting rough sketches.
What about the rest of you? Are you participating? If so, what are your goals? It's not too late to jump in, by the way. Today's only Day 3 of each challenge.
I interviewed the founders of each challenge recently, which you can read below:
Adrienne Kress is a Toronto born actor and author who loves to play make-believe. She also loves hot chocolate. And cheese. And her cat Atticus.
She is the author of two middle grade books: Alex and the Ironic Gentleman and Timothy and the Dragon's Gate (Weinstein Books) as well as a theatre graduate of the University of Toronto and the London Academy of Music and Dramatic Arts in the UK. Published around the world, Alex was featured in the New York Post as a "Post Potter Pick", as well as on the CBS Early Show. It won the Heart of Hawick Children's Book Award in the UK and was nominated for the Red Cedar. The sequel, Timothy, was nominated for the Audie and Manitoba Young Readers Choice Awards, and was recently optioned for film.
Her debut YA, The Friday Society (Dial), comes out in the fall of 2012.
I've been creating stories my whole life. I would play make believe with my friends and we'd create little plays to perform. And I would dictate stories to my dad who would then type them up on the Commodore 64. But as far as a profession goes, acting was my first goal.
I became a drama major at the age of 11 at an arts school in Toronto, and continued as such through highschool and then majored in it at University. I moved to London England to study it. All along the way, however, I was writing: taking writing courses, entering contests, and then eventually writing plays which I would then direct.
It wasn't until after university, though, that I considered writing a viable career path to follow as well. So technically you could say acting first, but both passions have been around since before I can remember.
Alex and the Ironic Gentleman (though I did produce my own play "A Weekend in the Country" at both the Edinburgh Festival Fringe and Toronto Summerworks Theatre Festivals prior to that sale)
Did you or do you have a writing mentor?
My father has always been my writing mentor. He taught high school creative writing, in fact it was such a popular course that students would stay an extra semester to attend it. It was one of those wonderful rare cases where someone taking his work home with him was a wonderful treat for his daughter.
He taught me how to write poetry (and would always write me and my mother poems for special occasions), encouraged me to write any kind of fiction and was extremely supportive and proud of what I did, and importantly introduced me to many different and interesting authors by reading to me every night before bed.
After that I suppose my other mentor would have had to be Canadian playwright Djanet Sears who taught my playwrighting course in my last year of University. She was great.
What I admired most of all was that she was able to be critical of a work and at the same time respect the genre and vision of the student, never imposing her own personal tastes onto our work. She was also the first person who ever told me that writing was something I could do as a profession.
She said that she knew how focused I was on acting, but that she hoped I would return to writing someday because I was very good at it. It was the first time I'd ever considered writing as anything more than a hobby. It was a turning point for me.
What's your typical work day?
I don't really have one. I have tried numerous times to create a schedule to stick to, but it always falls to the side.
What I do do is set a writing goal to reach. That way it doesn't matter what I do with my day, I have to have finished my writing goal by the end of it. So if I decide I want to sleep in, that's awesome, but it means I'm staying up late to finish my writing.
Typically when I'm working on something it's a 2000 words a day goal. Sometimes as a deadline looms that can go up to 5000. I also do a lot of school visits and presentations, so that can also be a very full day.
Being an actor also means that on occasion I have to drop everything and go to an audition, which is always last minute. I suppose the closest thing I have to a schedule is I try to write during the day and go out at night.
Working from home can be very lonely and isolating, so I try to make sure I see my friends and family as often as possible. Since most of them work 9 - 5, I try to do the same. It doesn't always work though, there are times I'm still at my computer at midnight.
Could you tell us about your new book, The Friday Society?
Sure! It's my first foray into young adult (teen) fiction. I like to call it Steampunk Charlie's Angels without the Charlie (because it's very important to me that these girls are in charge of themselves, not taking orders from some faceless dude). It's set in London, 1900, and is about three female assistants to three very powerful men in London society: Cora Bell - personal/lab assistant to a Member of Parliament and genius inventor; Michiko Takeda - fight assistant to a self-defense guru; Nellie Harrison - magician's assistant to the very popular Great Raheem. They find themselves drawn together through a series of mysterious events (murder, thievery and whatnot) happening around London and eventually decide to team up to solve what's going on together as The Friday Society. Lots of action, comedy, cool costumes and inventions, along with some pretty fun characters. I'm very excited about it. It comes out Fall 2012, from Dial.
What about the two short stories you have in upcoming anthologies?
Well technically it's one short story and one essay. The short story is called "The Clockwork Corset" and appears in the YA Steampunk Romance Anthology CORSETS & CLOCKWORK. It's about a wealthy 16 year old girl, Imogen, who falls in love with Rafe, the son of the clock winder on her father's estate. When Rafe is sent off to war, she fears for his safety and so follows . . . disguised as a boy. I call it a mini-novel because it's really structured more like one than a short story, despite the low word count, and a lot of stuff happens in it. It's a rollicking adventure you could say :) .
The essay is called "The Inevitable Decline of Decadence" and is in the HUNGER GAMES essay anthology THE GIRL WHO WAS ON FIRE. The anthology consists of essays analysing the awesome that is the young adult series the Hunger Games, and as a pretty big fan of the books I was really thrilled to be asked to contribute to it. My essay is pretty much about what its title suggests: the decline of decadence, how a decadent society is doomed to fail. I explain why, and cite examples the from the books themselves as well as throughout history.
Both books are available right now in bookstores and online actually, which is really exciting!
I feel very lucky to be part of the MiG Writers' Critique Group. Recently, one of our members debuted a nonfiction book: SEVEN WONDERS OF THE WORLD - Discover Amazing Monuments To Civilizations.
Carmella Van Vleet was kind (or brave?) enough to let her fellow MiG writers interview her. Do visit our MiG Writers' blog for some of Carmella's insights into writing nonfiction for young people as well as a chance to win an autographed copy of her new book.
National Picture Book Writing Week starts tomorrow! Founder Paul Yoo explains the event...
What exactly is NaPiBoWriWee?
NaPiBoWriWee stands for National Picture Book Writing Week. The goal is to write 7 picture books in 7 days. I have to clarify this by stating that I do NOT think picture book writing is easy. On the contrary, it's incredibly difficult. This was just a fun event I started to inspire myself and others to stop procrastinating by trying to not only write but FINISH an entire picture book draft. That way, once you have the first draft (or seven first drafts!) done, then you can take your time and revise them and polish them until they are ready to be submitted.
What motivated you to start the event?
I was inspired by the National Novel Writing Month (aka "NaNoWriMo") in which people try to write a novel in 30 days. I wanted to motivate myself to stop pcroastinating and finish a couple of picture book drafts I had
ignored for way too long, so I created this fun event to see if I could finally write these drafts. I had no idea this fun event would turn into an international phenomenon. I hope people are inspired to stop procrastinating and just get that first draft FINISHED. That's half the battle - finish a first draft!
Apart from NaPiBoWriWee, what are you working on now?
I am currently a writer and producer for the show EUREKA which airs on SyFy. The paperback edition of my 2008 YA novel debut "Good Enough" comes out June 7, 2011 from HarperCollins / HarperTeen. And I'm of course working
on more book ideas - both novels and picture books - whenever I have spare time! :)
Starting Sunday, May 1st: Story A Day May Challenge! Founder of the challenge, Julie Duffy, was kind enough to answer a few questions about the event for me:
What exactly IS Story A Day May?
Story A Day is creativity challenge for writers: write (and finish)
a short story every day in May. It's quite silly in a way because it's
an almost-impossible challenge. In another way it's quite serious (and
plenty of writers take it that way) because committing to writing a
lot is a fabulous way to learn how to write well. Possibly the only
What motivated you to start the event?
I had always written but life kept getting in the way and my
writing was slowing down. I was sick of starting stories and not
finishing them. I was starting to think I couldn't write. I was
intrigued by the idea of NaNoWriMo but wasn't interested in writing a
novel. So I decided to adopt NaNoWriMo's hell-for-leather approach and
commit to writing a story a day for a month. I know it seems strange
when I wasn't writing anything at all, to decide on such a huge goal,
but it inspired me. And, as it turned out, lots of other writers too.
How did the event go last year?
I knew I had to make the goal public so that I didn't give up. As
soon as the idea hit the web, people started pledging to join me, and
we ended up with about 80 people writing every day. Only a handful
came out with all 31 stories, but many people wrote more than they had
in years, and some people ended up taking their stories and doing very
cool things with them (expanding them into novels, polishing them and
getting them published, entering them into contests and events...).
Loads of people used Story A Day May to get excited about their
writing again, and to remind themselves that yes, they could write.
Any advice for writers who are thinking about signing up but are worried they might not be able to finish?
First, carry a note-book around and capture ideas wherever
you are. Capture ideas all day long. Writing a story a day requires
lots of story sparks that you can call on when you sit down to write.T
Keep the challenge fun by interacting with other people at the site
(http://storyaday.org). There's a social network with groups and
forums and a news feed. Some of the writers are teaming up into
accountability groups, others do this on a more informal basis. There
is no greater feeling than posting "Today's story is finished" in the
"Victory Dance" group at the site, and watching the congratulations
And remember that you're aiming to write first drafts and they can be
any length. Some days all you're going to have the mental energy for
is a Twitter-length story and that's fine. Any creative attempt keeps
your brain in that "writer's space" and makes it easier to write again
Finally, set your own rules: if you need to, decide that you'll take
Sundays and Wednesdays off, for example.
On some level, any writing is better than no writing. Last year so
many writers told me they amazed themselves by how much they wrote and
how happy they were, that I couldn't resist doing this again. If your
writing needs a kick in the pants, come and join us!
Anything else you'd like to add?
Anyone who signs up for the StoryADay Mailing list automatically gets the StoryADay Creative Challenge
workbook which walks the through the decision process and provides a personalised reference for the days when it gets tough.
It works for any creative challenge and helps you analyze:
*how you'll make time for writing
*how you'll find ideas
*what you have to lose or gain from trying
*practicalities of writing every day
For more info about Story A Day May, see http://storyaday.org/
You can also find Story A Day May on Facebook.
Love this quote from Libba Bray's latest blog post:
This is the magic/curse of writing: That in crafting your fiction, you leave yourself open to sudden moments of unguarded truth, and you have to be willing to tolerate that again and again. You have to keep raising your sword and charging, even knowing you could retreat scorched and missing a limb. You have to keep doing it even when you don’t want to. Especially when you don’t want to.