Welcome to Inkygirl: Reading, Writing and Illustrating Children's Books (archive list here) which includes my Creating Picture Books series, Advice For Young Writers and IllustratorsWriter's and Illustrator's Guide To Twitter, interviews, my poetry for young readers, #BookADay, writing/publishing industry surveys, and 250, 500, 1000 Words/Day Writing Challenge. Also see my Inkygirl archives,  and comics for writers (including Keiko and Will Write For Chocolate). Also check out my Print-Ready Archives for Teachers, Librarians, Booksellers and Young Readers.

I tweet about the craft and business of writing and illustrating at @inkyelbows. If you're interested in my art or other projects, please do visit DebbieOhi.com. Thanks for visiting! -- Debbie Ridpath Ohi

Entries in picturebook (5)

Tuesday
Oct072014

Book I Read: GO, SHAPES, GO! by Denise Fleming

 

I just bought GO, SHAPES, GO!, a gorgeously illustrated early concept book with such a *fun* story, and it launched TODAY. I've been a fan of Denise Fleming's work ever since I saw Denise demonstrate her pulp painting process at the SCBWI Illustrator Intensives a few years ago.

You can find out more about Denise and her wonderful picture books at: Denisefleming.com (she also offers free READ posters for download!)

More about GO, SHAPES, GO! (including review excerpts) on the Simon & Schuster website.

Tuesday
Jul012014

#BookADay: MISS MAPLE'S SEEDS by Eliza Wheeler @wheelerstudio, advice for picture book writers/illustrators

I've fallen a bit behind in my #BookADay posts because of my work schedule, but plan to catch up soon. Perfect for a relaxing Canada Day #BookADay: MISS MAPLE'S SEEDS by my friend Eliza Wheeler (Nancy Paulsen Books/Penguin, 2013). Eliza and I met when we were both picked for the 2010 SCBWI Illustration Mentorship Program, and we've been friends ever since. I'm looking forward to rooming with Eliza next month at the SCBWI-LA convention!

Miss Maple's Seeds has absolutely gorgeous artwork, and such a comforting and inspiring story. My favourite quote: "...Even the grandest of trees once had to grow up from the smallest of seeds."

Synopsis:

"Fans of Miss Rumphius will adore this gorgeous picture book which introduces the kind, nature-loving Miss Maple, who celebrates the miracle in each seed. Miss Maple gathers lost seeds that haven’t yet found a place to sprout. She takes them on field trips to explore places to grow. In her cozy maple tree house, she nurtures them; keeping them safe and warm until it’s time for them to find roots of their own, and grow into the magnificent plants they’re destined to become. Eliza Wheeler’s luminous paintings feature gorgeous landscapes, lush foliage and charming details. Her tender story celebrates the potential found in each seed—since even the grandest tree and most brilliant flower had to grow from the smallest of seeds. Celebrate every season with Miss Maple, from Earth Day to graduations to harvest festivals. "

I interviewed Eliza last year on Inkygirl.com about MISS MAPLE'S SEEDS and her illustrations for Holly Black's DOLL BONES; do check it out for the story of how Eliza and I met, her work process, and advice for aspiring picture book writers and illustrators.

Some of Eliza's excellent advice:

1) Be patient while you build up your body of work. Just focus on your craft, and leave the business side of storytelling for later; for when your work is REALLY good.

2) Create the kind of work that your kid self would have loved. Be your own audience, and always ask yourself "If someone else made this, would I read it? Would I put it up on my wall?". It seems obvious, but more often than not when I ask myself this question, I'm surprised to think "no".

3) Read, read, read. Whenever I'm stuck with my storytelling I read. I get new ideas or answers to existing stories when I read. And don't just read in your genre. A friend lent me Aimee Bender's adult novel The Particular Sadness of Lemon Cake, and I was distracted through the entire thing because every single time I sat down to read that book, a particular story I was working on would come to me in waves. I don't know why that was, but certain books will do that, and I've learned that it's a really great thing.

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Find out more about Donalyn Miller's Summer Book-A-Day Challenge on the Nerdy Book Club site, and you can read archives of my #BookADay posts.

Wednesday
Oct302013

November is Picture Book Month and PiBoIdMo! There's still time to register for both.

November may be NaNoWriMo month for some, but it's also Picture Book Month and Picture Book Idea Month (PiBoIdMo).

Picture Book Month is an international literacy initiative that celebrates the print picture book during the month of November. Every day in November, there is a new post from a picture book champion explaining why he/she thinks picture books are important. Founded by Dianne de Las Casas, Katie Davis, Elizabeth O. Dulemba, Tara Lazar and Wendy Martin. Logo by Joyce Wan. You can register here.

 

Picture Book Idea Month (PiBoIdMo) focuses on writing picture books. The challenge: to come up with a picture book idea every day during November. Get daily inspiration through the guest blog posts by authors, illustrators and picture book professionals on Tara Lazar's blog. Founded by Tara Lazar. Logo by Joyce Wan. You can register here.

I've registered for both. Although I already have picture book projects lined up, I'm always thinking about new book ideas and PiBoIdMo is a good way to get extra-inspired. For Picture Book Month, I'm going to be reading a new or older picture book every day and will also post about why I believe picture books are important.

YAY FOR PICTURE BOOKS!

I won't be participating in NaNoWriMo this year, though I'll be cheering on everyone who is. For those of you doing NaNo, do check out my friend Errol Elumir's NaNoToons, being posted daily. I had to opt out of co-authoring NaNoToons this year because of scheduling, but I'm looking forward to seeing what Errol posts. :-)

Wednesday
Jan232013

Interview: Joyce Grant on GABBY, Picture Book Writing & Editing Process, and Advice For Aspiring Writers


Joyce Grant
is the Toronto-based author of GABBY, a new picture book from Fitzhenry & Whiteside, illustrated by Jan Dolby. GABBY is Joyce's first picture book. If you're in Toronto, you're invited to come to the Jan. 27th book launch - see GABBY launch info.

In addition to writing picture books, Joyce is a freelance journalist and editor. She is also co-founder of the website Teaching Kids News, which offers free daily kid-friendly news, and is a passionate advocate of children’s literacy through her blog Getting Kids Reading. On Twitter, she's @JGCanada.

About the book: “Gabby” is the story of quirky, likeable Gabby who discovers that her alphabet book has a magical quality. Its letters can be used to create anything she likes! When Gabby puts the letters together to create a cat and its natural enemy, she has to think fast!

You can read a fun interview by Joyce with Gabby here.

Q. How did GABBY get published? 

About four years ago, I went to a CANSCAIP meeting and one of the speakers had some great advice. She told aspiring authors to visit conferences like the Ontario Library Association (OLA) and Reading For The Love Of It. All the publishers are there, and their books are on display. So you can see exactly which publisher might be a good fit for you—and you can meet people and network.

I took that advice seriously. I went to the next OLA conference and checked out every booth. I looked for a publisher whose books appealed to me and seemed to fit with Gabby. It was helpful that I’m also a children’s literacy blogger; publishers want to talk to book bloggers because of course they help publicize their products.

At the Fitzhenry & Whiteside booth, I introduced myself and got chatting with a publisher. It turned out that both our family trees go back to a town in Scotland called Forres. Forres is where Duncan’s castle in Macbeth is set; it’s got some history, some magic. Anyway, that connection sparked a wonderful conversation and I asked her if she would read my manuscript for Gabby. She passed it along to an editor at Fitzhenry—and three weeks later I got the good news!

I was incredibly lucky, because—although I’ve been a freelance journalist my entire career—it was my first creative manuscript submission. I’ll always be very grateful to the editors at Fitzhenry & Whiteside for taking a chance on me.

Image from GABBY (Fitzhenry & Whiteside), art by Jan Dolby.

Q. What's your writing process? or What was your writing process for GABBY? 

I only wish I had a proper writing process! I have about a dozen different writing projects on the go, every day. Freelance journalists—we wear a lot of different hats. Every day I do a news article for TeachingKidsNews.com. Every month I produce a newsletter called Administrative Assistants’ Update for Thomson-Reuters. And clients send me documents to edit, so every week I’ll get five or six of those; and then there are other odd deadlines, like marketing projects.

Here’s me: I wake up and grab my phone to check Twitter. Seven a.m., I’m looking at Twitter. I’m a huge news junkie. Then I’ll read the Globe and listen to the CBC. So I find out that a country in Europe is going broke, or there’s a demonstration downtown. So right away I want to write about it for TeachingKidsNews.com. I try to tackle all of my journalism and marketing writing first; after that I can do the work that is more creative.

When I write creatively, I have to have a bubble around me. I have to sort of become the character. I look around the room in her eyes, and I see the things she would see. So I find that I usually need a fairly large block of undisturbed time alone if I’m going to write creatively.

I edit my creative writing a lot. A lot. I’ll go over a sentence 15, 20 or 100 times until each word is exactly the word I want. A picture book is like a 350-word poem to me. There aren’t many words, so each word has to work hard.

In terms of ideas, I have learned that they can come at any time and there has to be a way of capturing them because as much as you think you won’t forget—you will. This year (!) I finally figured out that I need to have one, beautiful notebook. Just one. That’s where I jot my ideas, it’s where I take notes during interviews, it’s where I sketch and it’s where I write. So if my publisher asks me to change something in a manuscript, those notes are in that one book. And when I run out of room in that book, I buy a new one—it’s an indulgence. It’s always lovely, suede or leather—the kind of book that just begs you to write in it. And I prefer pages that are a beige or a cream colour. I use a blue Sonix Gel pen, which is a Staples brand. It’s my current favourite because the ink flows really fast. I have a favourite pencil, too—the Blackwing, which has a very soft, velvety lead. It’s so beautiful I even wrote about it (in my blog, Getting Kids Reading).

I have a great editor. Trust between an editor and a writer is extremely important. Once a writer and an editor have trust, the good work will just flow. You trust that the editor will bring out the best in your writing. And the editor trusts you to submit excellent, well-thought-out work and not get your back up when she tries to help you make it better. I’ve trusted my editor, Christie, at Fitzhenry since day one—since she listened to me describe Gabby and then hired the perfect illustrator to render her just the way I envisioned. As soon as I saw Jan Dolby’s sketches, I thought not only do I have a great illustrator to work with, but boy do I have a great editor. Because Christie was able to “get” exactly what I was trying to do—and then translate that to everyone else who worked on the book.

How do we work together?

I used to watch the CBC show Being Erica. It was about two women who own a small publishing house. After I got my contract for Gabby, I called my editors and said, “Can I take you out for coffee so we can chat about the book?” I wanted to have one of those cool, writer-publisher meetings like Erica did. You know, everyone dressed in black, sipping on lattes in a cafe, discussing “the book.” And that’s exactly what we did. And you know what? It was just as great as I thought it would be! So now every time I go to my publisher’s I try to convince them to have the meeting at Starbucks.

Q. What advice do you have for aspiring picture book writers? 

Don’t give up!

It’s kind of funny, because the very day I got the phone call from Fitzhenry with the good news, I had gone to a meeting with my writers’ group and told them I’d decided to quit writing children’s books. To quit!

I belong to a group of six children’s writers who get together regularly to critique each other’s work and discuss stories and plots. Well, for whatever reason that day I was frustrated with my work—and I told the group I was quitting! Yep, that’s it! Hadn’t heard from the publisher—obviously she hated my manuscript—and I should just stick to journalism. Done.

That evening, I got home and the phone rang. It was my publisher calling to tell me they were going to publish Gabby. Unbelievable! Looking back, of course, it’s hilarious that I thought three weeks was such a long time for a publisher to get back to me on a manuscript. But that’s the innocence of ignorance, I suppose. Now I know that the average wait time is more like six months. I guess I was used to journalism deadlines, which are based more on the day or even the hour.

Build a community for your book.

Many years ago, I went to a Writer’s Union symposium—this was before everyone was on Facebook and Twitter—and I got some advice I’ve never forgotten. They stressed, “you have to build your reading community long before your book comes out.”

It’s so true. Gabby has a strong literacy component; for a long time (many years before I started writing for children) I’ve been a children’s literacy advocate. I used to be involved in the Trent Valley Literacy Association in Peterborough, and I blog about children’s literacy.

In Gabby, the main character can actually touch and manipulate the letters in her book to form words. That’s one of the foundations of my literacy theory—that one great way to get kids reading is to give them cut-out letters or Scrabble tiles so they can actually feel them and work with them.

So in marketing Gabby, I want to reach out to parents who are homeschooling, and teachers and other literacy advocates. There’s a huge community there, that’s always looking for good resources. I’m hoping they’ll use Gabby in that way.

Push past your fear of technology.

Of course, the best way these days to build your reader-community is through social marketing like Facebook and Twitter.

If you’re on Facebook, great. So now create a Facebook page for your work. Or an author website, or a blog. If you don’t know how, then starting talking to people and start reading. Or, just do it—often the program will walk you through the process as you go.

When I started my kid-friendly news website, teachingkidsnews.com, I didn’t know much about creating a website. I’ve written for quite a few, but had never actually created one. A friend suggested I check out lynda.com; I took their online course on Wordpress. Lynda.com lets you learn in 10-minute bites; it’s great. I learned nearly everything I know about websites from them. Also, I keep learning from other people and asking questions.

Social media are new—for everyone.

I’ve been a journalist for more than 20 years, but when it comes to social media, I’m a neophyte. And that’s because for me—and everyone else—it’s new. We are in the midst of a technology revolution. There are no ancient practitioners of social media. New technology is coming out every day—new hardware, new software, new websites; we’re all learning together.

Get a good proofreader.

It’s not okay to have typos, grammatical errors and inconsistencies in our work. I’ve heard wonderful manuscripts read aloud and they sounded amazing—but when I looked at them on the page, they looked completely different to me. Horrible. I’m an editor (textbooks, journalism) and because I’ve been doing it for so long, typos just leap off the page—I know that’s what it’s like for other editors, too.

It’s the same with inconsistencies. Editors use a manual, like the Chicago Manual of Style or CP Style that defines how they format dates, for instance. Is it January 15th 2013? Or is it Jan. 15, 2013? I wouldn’t expect an author to catch something like that, but for editors it will stick out like a sore thumb.

That’s why, if editing isn’t your forte, you should hire a good proofreader. At least someone who will give you that final polish, looking for typos and inconsistencies. It’s important. I get my work proofread by someone else whenever I can—it’s almost impossible to proofread your own work.

Joyce & me, with our printer proofs last year.

Q. What are you working on now? Any other upcoming events or other info you'd like to share?

I’m so excited to make the big announcement here: we’re doing a second Gabby book!

Jan Dolby is the illustrator and Fitzhenry & Whiteside will be publishing it. It’s scheduled to come out in the Fall of 2013. In the second book, Gabby will be taking a bit more control over her letters—she’ll be using them more deliberately, to create her own scenarios. It’s going to be really fun.

I have a few other creative projects on the go as well. I have a novel for adults that I’ve been working on for more than 17 years. I’m not kidding. And I do intend to have it published. I’ve workshopped it twice through the Humber School for Writers and I’ve been told that it’s publishable. The problem is, I just can’t seem to wrap it up! I need to wrap it up. I’ve given myself a deadline of next year. So there’s that.

I’m also working on a middle-grade book of short stories for boys. I have that query in to a publisher and I think it’s got some legs. We’ll have to see if they agree. I hope so; I’ve been working on some of the stories and I’m having fun with it, so we’ll see.

I’m exploring another YA book—non-fiction—as well. They like the idea but it’s one of those enormous projects that might fit into a publisher’s book list or it might not. So far, it looks promising. Again—we’ll see.

Of course, I have TeachingKidsNews.com (TKN), which is a huge commitment for me. We publish one kid-friendly news article every weekday. It’s a labour of love; my TKN partners are amazing. I also do a media lit workshop every week, where I talk to kids about the news. I’d like to do more of those. I’ll be speaking at Reading For The Love Of It this year; we’re doing four seminars. That’s on Thurs., Feb. 21 and Fri., Feb. 22, 2013.

I’ll be doing a book signing for Gabby at the Ontario Library Association Superconference this year, at the Fitzhenry & Whiteside booth on Thurs., Jan. 31 at 2:00 p.m.

And of course, Gabby launched on Jan.15! The launch party will be on Jan. 27 1pm at the Intergalactic Travel Authority Café in Toronto (Bloor St., just west of Dufferin) and I would love it if everyone would come down! After all, children’s book writers, editors and illustrators—we’re a village.

I’m on the Internet at:

@JGCanada

www.joycegrantauthor.com (author website)

facebook.com/gabbypicturebook

www.teachingkidsnews.com (daily, kid-friendly news with teaching questions)

facebook.com/teachkidsnews

www.gkreading.com (children’s literacy blog)

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Also see other Inkygirl Interviews.

Thursday
Jan102013

Interview with children's book author Ame Dyckman about BOY + BOT, picture books & writing process

[Update: You can download Ame Dyckman's "Breathing book molecules helps you write" quote poster from my For The Love Of Reading page.]

Ame Dyckman is one of the sunniest and most enthusiastic online personalities I've ever come across. I love her positive posts, how she encourages and helps promote others in the industry. I really hope to meet her in person someday!

I recently bought a copy of her BOY + BOT picture book, published by Knopf Books For Young Readers last year and illustrated by Dan Yaccarino. This funny, tender story focuses on a friendship between a boy and his robot.

LOVEITLOVEITLOVEITLOVEIT.

You can visit Ame at amedyckman.com, or follow her on Twitter (@AmeDyckman), where she posts picture book reviews "and a good amount of whatever pops into her head."

Q. What’s your writing process?

At home, I sit in my Writing Spot, on the floor in the TV room between the couch and the toe-eating table.

When I get a funny thought, I jot it down. Some of these become story ideas. Some become Tweets. (Twitter is a terrific brain playground for PB writers!) Some of my thoughts are too goofy to become anything! But they make me laugh.

If my Funny Thoughts tank is empty, I think up random questions and Google the answers. (Recently: “How do you brush an alligator’s teeth?” and “Where can I buy gauntlets?”) This often leads to story ideas, too.

When I’m stumped for the morning, I jump in the shower. When I’m super-stumped, I ride on a train. (Once, I was SUPER super-stumped and thought I’d have to shower on a train, but I got an idea on the way to the station. Which was good because I don’t think our trains have showers.)

I go to the library a lot. Breathing book molecules helps you write. It’s a fact.

When I have a story percolating, I’m possessed and temporarily useless for most other tasks. I forget to shut off the sprinklers. I lock myself out of the house. I burn most meals.

Luckily, my family is very understanding. (And our local pizzeria delivers.)

I jot on anything handy. (The cats run when I’m holding a pen.) I do my actual writing on my laptop, and my editing on paper. I keep pages to edit in my pocket.

Usually, I remember to take my pages out of my pocket before I do the laundry.

Usually.

Writing picture books is a crazy-fun-messy process, but now I can’t imagine doing anything else.

 

Q. What advice do you have for aspiring picture book writers?

If you want to write picture books, read every picture book you can. Then re-read them. Order pizza for dinner so you can read longer.

Read picture books aloud to children. If no children are handy, read to dogs. (I love cats too, but most cats prefer dystopian YA.)

If no children or dogs are handy, read picture books to anyone not operating heavy machinery at the time.

Learn what you love in a picture book. Learn what others love. Write for all of you.

Most importantly, celebrate every writing success, no matter how small. Each finished draft deserves ice cream!

Q. What are you working on now? Any other upcoming events or other info you'd like to share?

I’m looking forward to the release of my next picture book, TEA PARTY RULES (Viking; Fall, 2013), illustrated by the fabulous K.G. Campbell (LESTER’S DREADFUL SWEATERS and the forthcoming THE ILLUMINATED ADVENTURES OF FLORA AND ULYSSES by Kate DiCamillo). TEA PARTY RULES is a funny eventual friendship/compromise story between a rule-obsessed little girl and a tea party-crashing bear cub who really wants cookies.

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Here's where you can find out more about Ame Dyckman and her projects:

Her website: AmeDyckman.com

On Twitter: @AmeDyckman

TWEETABLES:

Celebrate every writing success, no matter how small. Each finished draft deserves ice cream! - @AmeDyckman http://bit.ly/VLC7bC (Tweet this)

Breathing book molecules helps you write. It is a fact. - @AmeDyckman (BOY and BOT) http://bit.ly/VLC7bC (Tweet this)

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Also see other Inkygirl Interviews.